The Zeiss Lenses Everyone Forgot About

The Zeiss Lenses Everyone Forgot About


The biggest thing regarding Zeiss and photography that photographers are speaking about are the recently released Zeiss Otus lenses. But perhaps the best lineup that Zeiss had are the Milvus lenses. The Milvus lenses were originally designed for DSLRs and were a fascinating option for Zeiss. The company back then didn’t give any sort of weather resistance or sealing to their Otus lenses. But the Milvus lenses got it. In fact, they were the highest end option to have weather resistance. While the Batis lenses had it, they were kind of an odd entry for the company. And Zeiss Loxia lenses had it too — but only at the mount. So what were the best Zeiss lenses?

The Phoblographer has a very unique place in the world of photography. I’m the founder, Editor in Chief, and publisher. And I’ve been that person since the site started 15 years ago. With that said, I’ve also done a lot of the camera and lens testing. So, without a doubt, perhaps moreso than most folks in the industry, I can say with certainty that these were some very special lenses.

A sample image from the Zeiss Milvus 85mm f1.4.

Obviously, what I’m talking about are the Zeiss Milvus lenses. But the best ones were the Zeiss Milvus 25mm f1.4, 35mm f1.4, 50mm f1.4, 85mm f1.4, and the Zeiss Milvus 135mm f2. I’m not just choosing those lenses because they’re all boasting very fast apertures — but instead because they had a look to them that was otherwise hard to get. It has to do with micro-contrast and sometimes even leans into the look that you get with Leica Apochromatic lenses.

With the world’s economy becoming a very crazy situation, I think that photographers should surely consider dipping into retro lenses. Luckily, the Zeiss Milvus lenses are around 10 years old. And even more luckily, the 24MP sensor is still the standard in the world of full-frame photography. Sure, we’ve got 60MP sensors and a lot of sensors in the 40MP range. And all of those will look great with lenses from this era.

If you’re thinking that newer lenses are all that much better — well consider the reality: does it really matter? With so many photographers making images for social media, people aren’t really pixel peeping your photos. They’re seeing them in a feed and either liking or scrolling past because of how social media algorithms work.

100% critical sharpness doesn’t matter with modern day photography unless it’s not going on social media.

To speak even further to the Zeiss Milvus lenses, they’ve really held their value. Even on eBay, you can get them at very fair prices.

Just keep in mind that if you’re not familiar with working with manual focus, then you probably won’t like these lenses. But if you don’t mind shooting far fewer frames to get photos you really like, then these are very hard to beat.

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris’s editorial work includes not only editing and scheduling articles but also writing them himself. He’s the author of various product guides, educational pieces, product reviews, and interviews with photographers. He’s fascinated by how photographers create, considering the fact that he’s legally blind./

HIGHLIGHTS: Chris used to work in Men’s lifestyle and tech. He’s a veteran technology writer, editor, and reviewer with more than 15 years experience. He’s also a Photographer that has had his share of bylines and viral projects like “Secret Order of the Slice.”

PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.

EXPERIENCE:
Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he’s evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he’s done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, WordPress, and other things.

EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he’s learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc.

FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn’t get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don’t do it in post-production when you can do it in-camera.



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