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Artralab has created some spectacular lenses for multiple mounts. The 50mm f1.1 Lunalumen, the 35mm f1.4 80s, and the Oculilumen 10mm f5.6 are some examples where Artralab expanded its portfolio to offer varying prime lenses to Fujifilm, Nikon, Sony, Canon, and MFT Mounts. Just last year, they launched two new lens converters for Fujifilm X100 series cameras, and today, they complete this trio with a new addition. What is it all about? Let’s have a look.
First reported by Photo Rumors, the new X100Pro WCL+ Marco 25mm Wide Conversion Lens is the third adapter after the 16mm and 60mm in the same category. Per the company, this lens is designed for photographers who do not want to compromise on the perspective. The converter will offer the same field of view as a 25mm lens and will not impact X100’s lens’ optical quality. It is designed for photographers working with genres such as landscapes, street, and architecture, and want something that can help them capture their vision with ease. Here are the specs:
- Focal Length (35mm Equivalent): 25mm
- Lens Type: Wide Conversion Lens
- Optical Design: 4 Elements in 3 Groups
- Magnification Ratio: 0.8x (Replace with accurate value if available)
- Angle of View: Approx. 75° (to be confirmed with actual data)
- Lens Coating: Low Reflective Multilayer Coating
- Mount Compatibility:
- Fujifilm X100
- X100S
- X100T
- X100F
- X100V
- X100VI
- Construction Material: Aluminium alloy
- Weight: 190g
- Dimensions: Φ 55mm × 30mm
- Attachment Type: Screw-on (Direct Fit)
- Color Options: Silver / Black
Artralab states that the conversion lens will not impact the autofocus accuracy, metering precision, pr the EXIF data communication. In fact, when paired with X100’s fixed lens, it will continue to suppress distortion and chromatic aberration, while giving you exceptional results.
A conversion lens like this can be really helpful to those who want more details within their frame. Priced under $100, this conversion lens is better than investing in a new ILC camera or buying a new wide-angle lens for many users. A product like this is better suited for semi-professionals and beginners who want more from the gear. Professionals, on the other hand, can would rather invest in this if they are shooting for personal projects or want a distinct look. Otherwise, they will rely on their higher-end equipment for specific shots.
After having tested the 50mm f1.2, we believe the conversion lens could have developed optical performance. As we said in our review back then, “You’re going to love the bokeh that it can deliver, and when you apply your favorite edits, we think that this lens will become something that you bring out when you really want to deliver a special look.” If you are keen on knowing more, keep an eye out for our page.